Soprano Pavla Vykopalová gave a credible performance as Bohuš’s wife, Julie. She possesses a secure, lyrically appealing voice that is able to move easily into her attractive upper register. Her scene with the count in the third act, in which she sings the lullaby that changes his mood and is followed by a short duet, was sensitively delivered, while her subsequent pleading to the count to forgive Bohuš allowed her to show off the expressive quality of her voice.
Soprano Pavla Vykopalová in the title role was an engaging and sympathetic Jenůfa. She has an appealing voice with an attractive timbre, a rich middle voice with a bright, secure upper register. Her beautifully rendered phrasing captured the lyrical quality of the part, although this was not at the expense of Jenufa’s inner pain and suffering. Her vocal versatility and ability to expertly develop characterization were impressive which was wonderfully illustrated in her Act two monologue, “Mamičko, mám težkou hlavu, mám, mám,” in which she runs through a string of emotions, as she searches for her mother, then her baby, anxiously awaits Steva’s arrival, panics and worries over the baby’s whereabouts and prays for her child’s safety.