08. 06. 2017 | Telefonotéka, Český Rozhlas Vltava
More at https://vltava.rozhlas.cz/pavla-vykopalova-na-tenisovem-kurtu-stejne-jako-na-jevisti-5802133
16. 05. 2017 | Radmila Hrdinová
The National Theatre in Prague has reached the world classic by Love on Distance.
25. 03. 2017 | Petr Veber, mestohudby.cz
“At the First Night Pavla Vykopalová was simply fantastic - both desperate and noble. Her part, at first milder, gradually dramatically rises in adventurous melodic curves up to reaching the final distinguished pathos.“
They met. Love on Distance in Brno
25. 03. 2017 | Olga Janáčková, operaplus.cz
“And finally Pavla Vykopalová appeared as Clémence which I do consider to be her best theatre role so far. Mastering that extremely difficult part, both singing and acting, offered Pavla a life chance to prove her unique talant.“
Classical CDs Weekly: Kabeláč, Ligeti, Shostakovich
28. 01. 2017 | Graham Rickson, theartsdesk.com
Things become especially outré from 1960’s Symphony No. 5 onwards, written for wordless soprano and large orchestra. This performance has the wonderful Pavla Vykopalová in the solo role, her wilder outbursts anticipating passages in Britten’s War Requiem.
Káťa Kabanová is leading the opening of the Brno Theatre Season.
12. 10. 2016 | Helena Havlíková, lidovky.cz
“Ms. Vykopalová, as Káťa, managed to pursuade her audience that Káťa was a stronger
and more dramatic character in her struggle of leaving behind the old and backward way of life she had been a part of, crossing it over by her personal courage, and creating thus a new way of life.“
Staging of Káťa Kabanová: a memorable beginning of the Janáček Festival, Brno 2016
09. 10. 2016 | Jan Špaček, mestohudby.cz
“Even though the whole evening was in fact a great festival of wonderful, excellent and brilliant parts of art, nevertheless, I do consider the two moments as the most important. One of them was unbeatable performance of Pavla Vykopalová in her title role.“
